Is It a Date? Will There Be Cupcakes?

Is it a date, a friendly get-together, or an interview? The femme is zaftig and pale with dark auburn hair, a violet orchid behind her ear that matches her dress. So I’m guessing it’s a date. Because my own femme-dar tells me this woman might be wearing that fabulous dress, but not the orchid if she didn’t have a reason to. Why else would a femme and a butch — or is ze a transman — be sitting together on an October afternoon at Fiore’s Bakery, in Jamaica Plain, the the Ground Zero of our tribe? Why else would they be asking and answering all those getting-to-know-you questions? Are all queer women so matter-of-fact witht their first-date questions? Or is it an interview? Are they sniffing each other out as they consider collaborating on some performance art piece, or some vaguely charitable business plan, maybe a cupcake store that sources all its chocolate from a women’s coca collective in Ghana?

[Adapted from an October 2012 journal entry]

In Memoriam: Trayvon Martin

I’ve been largely silent regarding the issue of Trayvon Martin’s death and Zimmerman’s acquittal. As a white woman living in Boston, I don’t see the ongoing effects of racism in the same way that I did when I was living on the north side of Poughkeepsie, or growing up in a housing project in Stamford. But racism still affects me and those I love. I’d like to take a moment to honor the friends and loved ones whom I know deal with racism on a daily basis — and the friends and loved ones I never met or never got to know well because of the racist and segregated society in which I live.

From a New York Times editorial published July 14, 2013:

While Mr. Zimmerman’s conviction might have provided an emotional catharsis, we would still be a country plagued by racism, which persists in ever more insidious forms despite the Supreme Court’s sanguine assessment that “things have changed dramatically,” as it said in last month’s ruling striking down the heart of the Voting Rights Act.

Butcher, Baker, Candlestick Maker: Okelle’s Career Path

A gentleman I’ve never met but would like to some day asked on Facebook, “What was your strangest job?”

It wasn’t my strangest job, but my most memorable and also my first real-paycheck job: ushering for the Palace Theater in Stamford, Connecticut. The pay was crap — some people actually just volunteered in exchange for watching the shows — but its rewards have stayed with me through the decades. I saw Ella Fitzgerald (twice), Chuck Berry, Herbie Hancock, Art Blakey and the Jazz Messengers, George Carlin, and countless plays, operas, ballets, and symphonies. And I didn’t appreciate it a bit. Well — maybe a little bit. God knows I do now.

At Vassar I worked in the Financial Aid Office, the Student Employment Office, the Summer Programs Office, the Powerhouse Theater Box Office, and the Bursar’s Office (student accounts) — those are the offices I can remember. And those were just my summer jobs.

During the school year, I worked the late shift for Campus Patrol because you got an extra 50 cents an hour if you took the after-midnight shift. Campus Patrol was the highest-paying job on campus that didn’t involve taking your clothes off, and I did it until a fellow English major busted me one rainy night for reading Henry James in my booth for longer than 10 minutes.

The highest-paying job on campus was working as an artist model for the studio art department. That paid $8 an hour. For my first gig, I stood up on a pedestal in thigh-length red stockings – which the instructor asked me to remove because they were too distracting — and nothing else. One student pulled his chair behind me, and I told him it cost extra to draw my ass. This was years before I understood the effect that my ass would have on some people — I was mostly just terribly nervous. I was a talkative and sassy mode, and probably lost work because of it. Working for the Vassar studio art program was just the beginning, though. I parlayed that experience into off-campus modeling gigs at Bartlett House (I was happy to see that this community-based arts education center in downtown Poughkeepsie, NY is still running strong), Dutchess Community College, and the home of a private art instructor who lived a few blocks off campus. I’ve carried a single nude sketch from that instructor’s basement across hundreds of miles and it’s taped to the wall of my study today. It’s occurred to me that I should frame it before it meets a terrible end.

During my freshman year I worked as a research assistant for a cranky old philosophy professor who would leave me handwritten pages of citations (not uncommon for those days). I would look up the articles in the college library system and make copies of them for him. What’s now done digitally involved a fair amount of legwork back then. I thought I was pretty crafty when I learned how to log on to the library catalog system via VAX (older folk will nod their heads knowingly here) to see which items were in the stacks and which would require a special order before I left Rockefeller Hall to brave whatever craptastic weather upstate New York felt like throwing at us.

It was because of the work I did for him and for another professor named Uma Narayan that I found a place to stay that first summer after my freshman year. I’d been ready to leave home when I was a sophomore in high school and didn’t really want to spend a hot, sweaty summer in my hometown answering phones for a bunch of stuffed shirts. Professor Narayan quite graciously let me stay in her flat across the street from the main campus while she was away doing awesome professor things in the summer. It was the first time I’d had a quasi-place of my own. I used the futon in her study rather than sleep in her bedroom and with all the innocent clumsiness of youth moved all her carefully sorted papers off a set of iron shelves so I could store my clothing somewhere. It was such a wonderful revelation to have my own kitchen to prepare meals in. Looking back, the apartment wasn’t anything special, but to a 17-year-old raised in the projects, it was ultimate luxury.

I remember watching the 1992 Democratic National Convention in her living room, feeling like a grown-up for the first time. I’d just turned 18, and the ’92 election was the first time I ever voted. That was the first of three summers I spent on the Vassar Campus between terms, and the summers contain some of my favorite memories from those years.

I also transcribed interviews for professors in the Philosophy Department, and later for Professor Steven Moore, who was starting an English Department-sponsored literary magazine called the Vassar Review of Arts and Letters. The transcribing machine had a foot pedal you could use to play, pause, rewind, and fast-forward through the tape. With my foot on the pedal and my hands on the keyboard, I would imagine myself as a sort of living conduit between two machines. I did my best to keep up, and I’m sure it improved my typing skills a great deal.

My experience with Professor Moore and on the board of the student-run lit-mag Helicon led me to meeting and working with Jason Stern and Amara Prolansky at Chronogram. A the time, it was a fairly new monthly publication of cultural events in the Mid-Hudson Valley — mostly a calendar of events and ads. In 1995 — the year I graduated — Jason asked me to help Chronogram develop a literary section. I selected poetry and edited articles that went into that first issue. It was also the first time I ever telecommuted for work: Amara drove from New Paltz to my tiny apartment in Poughkeepsie with an AOL disk and set me up with my first non-college internet account. Nowadays, anyone with an AOL email address pretty much screams “not tech savvy,” but back then the choices were pretty much AOL and CompuServe (whose email addresses were always numbers) — if you were lucky, there was a local ISP in your area.

The year after I graduated from Vassar, I worked a variety of temporary secretarial positions — except that I insisted people call me an Administrative Assistant. By far the most bizarre was Blocksom & Company, a small manufacturer of mattress components with its home office somewhere in Indiana. The manufacturing process was fairly simple: bales of coconut fiber (that hairy stuff you see on the outside of a coconut) came by train to the factory. Forklift drivers unloaded it and placed it next to a giant machine. Workers cut open the bales, fed the fiber into the machine, and out the other end came flat mats sized for twin, full, queen, or king-size beds. These were then bundled together and set on the loading dock to be trucked to the mattress factories that ordered them. My most important job was to print the labels placed on the finished jobs. I also prepared the Bill of Ladings for the truck drivers. But mostly my job involved avoiding the wrath of my manager, a cranky, heavyset woman of Italian extraction whose misery and rage affected everyone in the front office.

The entire plant was surrounded in a cloud of brown dust, an unfortunate side effect of chopping open bales of coconut fiber all day. In addition, a good number of people who worked at the place — front office or back — smoked on the job. The vast majority of the men (and they were all men) who worked on the factory floor were African American. They earned minimum wage or just above it. White men occupied all the higher-paying jobs: foreman, forklift driver, plant manager, salesman — all white men. One of them, however, turned out to be a closeted drag queen. Every year on Halloween, he would go all out and dress like a woman. He took it very seriously, shaving and making himself up, so that I could tell he wasn’t doing it for a joke. He used to drive me to work every day, and once when we was visiting with me and April he asked us if we would help him “become a woman.” Neither April nor I were particularly enlightened about transgender issues at the time. I think of him from time to time now, regretting that I wasn’t a better ally and hoping that he’s found some love and support in a part of the country where queers are very isolated.

It was during the few months that I worked at the matress factor that I learned how much straight men like lesbians — and not in a “sure, I’ll help you move in with your girlfriend” kind of way, but in a “can I watch, and maybe join in?” kind of way.  It was also during that time that I learned the effect that my posterior — or, as my girlfriend called hers, “el hugamundo gluteus maximus” — had on men of African extraction. The attention was flattering, of course, but I was also hugely aware of the cultural and class differences that separated me from my coworkers there, regardless of race. Poughkeepsie was a lonely, lonely place to be a leftish lesbian in the mid 1990s. That was the only job that I ever had the satisfaction of quitting on impulse — and I have never regretted the decision.

As I write these words, more and more stories from that first year out of college rise in my memory:

  • The parolee who disappeared after he got his first paycheck, only to call three days later, saying “I can’t drink in safety.” I felt badly for him and remembered my own father who died of alcoholism before he was 40.
  • The large, well-made floor worker who made advances toward me, whom I later learned had nine different children by five different women. I had the satisfaction of filling out the paperwork that would ensure they received child support payments. Such enforcement mechanisms hadn’t been in place when my mother was raising two children three thousand miles away from her abusive ex-husband.
  • The man who accused me of trying to scare him away because I used the phrase “empirical evidence.” Later he tried to seduce my girlfriend away from me. He was sure I must have corrupted her but that he could lead her back into the fold of Jesus or something — this in spite of the fact that she’d been out of the closet years before me.
  • The man who called the office from the state mental hospital asking for his last paycheck (It never did materialize, and my boss was certain that he was trying to swindle us out of another one). By that time, I’d already seen the inside of psych hospitals three different times. I started to visit him, bringing him magazines and cigarettes and shampoo. He’d been put there for depression after his daughter died, and as an uninsured black man — and a big black man at that — he definitely received a very different kind of care than I had at the tender age of 15, covered by my mother’s health insurance. Months later, he saw me on the street and came running toward me, his face joyful and open. I didn’t recognize him, but he remembered me and thanked me profusely, gave me a terrific hug. After he left, April turned to me and said, “You never said he was so good-looking!” Honestly, I hadn’t noticed given the context in which we met. He had one time stolen a kiss from me, but I’d scolded him soundly about it and he never tried it again. I’d wanted to relate to him from a place of friendship and mutual experience, not in an erotic or romantic way. And we did. Seeing him come toward me with that open, happy face was one of the best rewards I’ve ever gotten from someone for being of service. We were able to connect across the cultural divides of race, gender, sexual orientation, and class because of our mutual experience of suffering. It’s an experience that’s stayed with me for two decades.

During that first year after college, I spent a lot of time and effort applying to publishing jobs in New York City. I did the two-hour train ride from one end of the Hudson Line to the other multiple times but never landed a job, and perhaps that was for the best. My life was imploding under pressure coming from many different directions: our joint income didn’t fit the federal definition of poverty, but it sure felt like poverty to me. Aside from friends we knew at Vassar — most of whom had left town after graduation — we had few queer friends. We were young and stupid and didn’t really know how to have a loving partnership with one another. I bounced from temp job to temp job, resenting the fact that April earned less money than me as a journalist while I subsidized our rent. Eventually, things went far enough south that I gave up and moved back to Connecticut. I’d expected to move in with my Mom, but she surprised me by giving me enough money to get my own apartment. I took over her paper routes in gratitude while I looked for a day job in Hartford.

Through a series of fortunate events, my job application at the Hartford Courant ended up in the hands of a former employee. She hired me as a writer and editor for this newfangled thing called a website. You can read a bit more about my writing chops on the About the Gardener page.

I hadn’t given up the hope of becoming a New Yorker, and there were lots of “content provider” jobs in the New Media industry at the time. I interviewed for a few, but my experience and salary requirements took me out of the running for most of the entry-level jobs, and I didn’t have the confidence (or, quite frankly, the chops) to apply for the more senior openings. Eventually, I set my sights on Boston. It seemed like a more manageable alternative. By happy coincidence, I met a woman in P-town who lived in Boston. While we were dating, a took a new job at a multimedia firm in Norwalk. It paid more, but boy did they get their money’s worth. My 40-hour work week ballooned to 60-70 hours, with an extra three hours of commuting on top of it. After about six months of that, it seemed like a no-brainer to move in with my girlfriend in Boston.

Unfortunately, content jobs — especially ones that don’t involve marketing copy writing — are a lot harder to come by in Boston than they are in NYC. My career took a right turn into web development. It’s much more lucrative than writing, but money isn’t everything. After 20 years in the field, I’m making plans to return to my first love. I expect it will involve a massive pay cut, but I’m fortunate enough to have a partner who’s willing to take that risk with me — something I never expected or wanted, but for which I’m incredibly grateful. More will be revealed.


I remember very little from the years between 1973 and 1980. There’s a simple reason for this, but one that omits a large part of the story. In the years between my birth and our unintentional immigration to the East Coast, I was busy learning how to eat, how to walk, how to use the bathroom, how to dress myself, and how to talk. I was learning about the world that surrounded me, and about my place in it. I was learning what kind of a person I was, and what kind of people had brought me into this world.

In the first decade of the 20th century — a decade variously referred to as the ’00s, the naughts, the oughts, the aughties, and the naughties — the big buzzword in psychological circles was resilience. Resilience was the word used over and over again in the days following the Boston Marathon Bombing of 2013. It’s a word that contains within it a kind of boundless optimism often lacking in the discussion of trauma, PTSD, and recovery from same.

“Resilience” is a word my own mother pulled out during a rather uncomfortable conversation in the drawing room of my partner’s parents’ house one Christmas Eve. I’d asked my mother to tell the story of the chickens who lived in a pen behind our house in Sunnyvale, California — the non-fictitious town of my birth and early childhood. I was fascinated with these chickens, as I was with all animals. I could pet the rabbits in their hutch on the other side of the back yard, and their fur was the softest thing I’d ever felt. I was sure that the feathers of our bad-tempered chicken Henrietta would also prove soft and pettable, and with the boundless optimism of toddlerhood I was sure I could win her over just as I did all the grown-up humans I’d encountered.

Henrietta had other ideas.

As soon as I opened the door of her pen, she began running after me, making evil chicken noises I’d never heard before, her wings akimbo and her sharp little beak ready to peck at my fat little toddler legs. We began a breathless circuit of the back yard. I screamed as loud as I could for my mom, keeping one or two chicken-steps ahead of Henrietta and her wicked beak.

This is where the actual events of the day have probably become blurred by countless retellings, and also by the dominant narrative of my childhood. As Mom tells the story, she stood at the kitchen window and laughed and laughed at the sight of a three-year-old girl being chased by a chicken. My own memory of the event from this point forward is a blurred mix of terror and bewilderment. Where was my mother? I could hear her laughing, but she wasn’t there to protect me. In the mind of a toddler, being pecked by a chicken looms as large and horrific as being mauled by a grizzly. It is perhaps the first time I felt alone and abandoned in the face of terror.