In Memoriam: Trayvon Martin

I’ve been largely silent regarding the issue of Trayvon Martin’s death and Zimmerman’s acquittal. As a white woman living in Boston, I don’t see the ongoing effects of racism in the same way that I did when I was living on the north side of Poughkeepsie, or growing up in a housing project in Stamford. But racism still affects me and those I love. I’d like to take a moment to honor the friends and loved ones whom I know deal with racism on a daily basis — and the friends and loved ones I never met or never got to know well because of the racist and segregated society in which I live.

From a New York Times editorial published July 14, 2013:

While Mr. Zimmerman’s conviction might have provided an emotional catharsis, we would still be a country plagued by racism, which persists in ever more insidious forms despite the Supreme Court’s sanguine assessment that “things have changed dramatically,” as it said in last month’s ruling striking down the heart of the Voting Rights Act.

Butcher, Baker, Candlestick Maker: Okelle’s Career Path

A gentleman I’ve never met but would like to some day asked on Facebook, “What was your strangest job?”

It wasn’t my strangest job, but my most memorable and also my first real-paycheck job: ushering for the Palace Theater in Stamford, Connecticut. The pay was crap — some people actually just volunteered in exchange for watching the shows — but its rewards have stayed with me through the decades. I saw Ella Fitzgerald (twice), Chuck Berry, Herbie Hancock, Art Blakey and the Jazz Messengers, George Carlin, and countless plays, operas, ballets, and symphonies. And I didn’t appreciate it a bit. Well — maybe a little bit. God knows I do now.

At Vassar I worked in the Financial Aid Office, the Student Employment Office, the Summer Programs Office, the Powerhouse Theater Box Office, and the Bursar’s Office (student accounts) — those are the offices I can remember. And those were just my summer jobs.

During the school year, I worked the late shift for Campus Patrol because you got an extra 50 cents an hour if you took the after-midnight shift. Campus Patrol was the highest-paying job on campus that didn’t involve taking your clothes off, and I did it until a fellow English major busted me one rainy night for reading Henry James in my booth for longer than 10 minutes.

The highest-paying job on campus was working as an artist model for the studio art department. That paid $8 an hour. For my first gig, I stood up on a pedestal in thigh-length red stockings – which the instructor asked me to remove because they were too distracting — and nothing else. One student pulled his chair behind me, and I told him it cost extra to draw my ass. This was years before I understood the effect that my ass would have on some people — I was mostly just terribly nervous. I was a talkative and sassy mode, and probably lost work because of it. Working for the Vassar studio art program was just the beginning, though. I parlayed that experience into off-campus modeling gigs at Bartlett House (I was happy to see that this community-based arts education center in downtown Poughkeepsie, NY is still running strong), Dutchess Community College, and the home of a private art instructor who lived a few blocks off campus. I’ve carried a single nude sketch from that instructor’s basement across hundreds of miles and it’s taped to the wall of my study today. It’s occurred to me that I should frame it before it meets a terrible end.

During my freshman year I worked as a research assistant for a cranky old philosophy professor who would leave me handwritten pages of citations (not uncommon for those days). I would look up the articles in the college library system and make copies of them for him. What’s now done digitally involved a fair amount of legwork back then. I thought I was pretty crafty when I learned how to log on to the library catalog system via VAX (older folk will nod their heads knowingly here) to see which items were in the stacks and which would require a special order before I left Rockefeller Hall to brave whatever craptastic weather upstate New York felt like throwing at us.

It was because of the work I did for him and for another professor named Uma Narayan that I found a place to stay that first summer after my freshman year. I’d been ready to leave home when I was a sophomore in high school and didn’t really want to spend a hot, sweaty summer in my hometown answering phones for a bunch of stuffed shirts. Professor Narayan quite graciously let me stay in her flat across the street from the main campus while she was away doing awesome professor things in the summer. It was the first time I’d had a quasi-place of my own. I used the futon in her study rather than sleep in her bedroom and with all the innocent clumsiness of youth moved all her carefully sorted papers off a set of iron shelves so I could store my clothing somewhere. It was such a wonderful revelation to have my own kitchen to prepare meals in. Looking back, the apartment wasn’t anything special, but to a 17-year-old raised in the projects, it was ultimate luxury.

I remember watching the 1992 Democratic National Convention in her living room, feeling like a grown-up for the first time. I’d just turned 18, and the ’92 election was the first time I ever voted. That was the first of three summers I spent on the Vassar Campus between terms, and the summers contain some of my favorite memories from those years.

I also transcribed interviews for professors in the Philosophy Department, and later for Professor Steven Moore, who was starting an English Department-sponsored literary magazine called the Vassar Review of Arts and Letters. The transcribing machine had a foot pedal you could use to play, pause, rewind, and fast-forward through the tape. With my foot on the pedal and my hands on the keyboard, I would imagine myself as a sort of living conduit between two machines. I did my best to keep up, and I’m sure it improved my typing skills a great deal.

My experience with Professor Moore and on the board of the student-run lit-mag Helicon led me to meeting and working with Jason Stern and Amara Prolansky at Chronogram. A the time, it was a fairly new monthly publication of cultural events in the Mid-Hudson Valley — mostly a calendar of events and ads. In 1995 — the year I graduated — Jason asked me to help Chronogram develop a literary section. I selected poetry and edited articles that went into that first issue. It was also the first time I ever telecommuted for work: Amara drove from New Paltz to my tiny apartment in Poughkeepsie with an AOL disk and set me up with my first non-college internet account. Nowadays, anyone with an AOL email address pretty much screams “not tech savvy,” but back then the choices were pretty much AOL and CompuServe (whose email addresses were always numbers) — if you were lucky, there was a local ISP in your area.

The year after I graduated from Vassar, I worked a variety of temporary secretarial positions — except that I insisted people call me an Administrative Assistant. By far the most bizarre was Blocksom & Company, a small manufacturer of mattress components with its home office somewhere in Indiana. The manufacturing process was fairly simple: bales of coconut fiber (that hairy stuff you see on the outside of a coconut) came by train to the factory. Forklift drivers unloaded it and placed it next to a giant machine. Workers cut open the bales, fed the fiber into the machine, and out the other end came flat mats sized for twin, full, queen, or king-size beds. These were then bundled together and set on the loading dock to be trucked to the mattress factories that ordered them. My most important job was to print the labels placed on the finished jobs. I also prepared the Bill of Ladings for the truck drivers. But mostly my job involved avoiding the wrath of my manager, a cranky, heavyset woman of Italian extraction whose misery and rage affected everyone in the front office.

The entire plant was surrounded in a cloud of brown dust, an unfortunate side effect of chopping open bales of coconut fiber all day. In addition, a good number of people who worked at the place — front office or back — smoked on the job. The vast majority of the men (and they were all men) who worked on the factory floor were African American. They earned minimum wage or just above it. White men occupied all the higher-paying jobs: foreman, forklift driver, plant manager, salesman — all white men. One of them, however, turned out to be a closeted drag queen. Every year on Halloween, he would go all out and dress like a woman. He took it very seriously, shaving and making himself up, so that I could tell he wasn’t doing it for a joke. He used to drive me to work every day, and once when we was visiting with me and April he asked us if we would help him “become a woman.” Neither April nor I were particularly enlightened about transgender issues at the time. I think of him from time to time now, regretting that I wasn’t a better ally and hoping that he’s found some love and support in a part of the country where queers are very isolated.

It was during the few months that I worked at the matress factor that I learned how much straight men like lesbians — and not in a “sure, I’ll help you move in with your girlfriend” kind of way, but in a “can I watch, and maybe join in?” kind of way.  It was also during that time that I learned the effect that my posterior — or, as my girlfriend called hers, “el hugamundo gluteus maximus” — had on men of African extraction. The attention was flattering, of course, but I was also hugely aware of the cultural and class differences that separated me from my coworkers there, regardless of race. Poughkeepsie was a lonely, lonely place to be a leftish lesbian in the mid 1990s. That was the only job that I ever had the satisfaction of quitting on impulse — and I have never regretted the decision.

As I write these words, more and more stories from that first year out of college rise in my memory:

  • The parolee who disappeared after he got his first paycheck, only to call three days later, saying “I can’t drink in safety.” I felt badly for him and remembered my own father who died of alcoholism before he was 40.
  • The large, well-made floor worker who made advances toward me, whom I later learned had nine different children by five different women. I had the satisfaction of filling out the paperwork that would ensure they received child support payments. Such enforcement mechanisms hadn’t been in place when my mother was raising two children three thousand miles away from her abusive ex-husband.
  • The man who accused me of trying to scare him away because I used the phrase “empirical evidence.” Later he tried to seduce my girlfriend away from me. He was sure I must have corrupted her but that he could lead her back into the fold of Jesus or something — this in spite of the fact that she’d been out of the closet years before me.
  • The man who called the office from the state mental hospital asking for his last paycheck (It never did materialize, and my boss was certain that he was trying to swindle us out of another one). By that time, I’d already seen the inside of psych hospitals three different times. I started to visit him, bringing him magazines and cigarettes and shampoo. He’d been put there for depression after his daughter died, and as an uninsured black man — and a big black man at that — he definitely received a very different kind of care than I had at the tender age of 15, covered by my mother’s health insurance. Months later, he saw me on the street and came running toward me, his face joyful and open. I didn’t recognize him, but he remembered me and thanked me profusely, gave me a terrific hug. After he left, April turned to me and said, “You never said he was so good-looking!” Honestly, I hadn’t noticed given the context in which we met. He had one time stolen a kiss from me, but I’d scolded him soundly about it and he never tried it again. I’d wanted to relate to him from a place of friendship and mutual experience, not in an erotic or romantic way. And we did. Seeing him come toward me with that open, happy face was one of the best rewards I’ve ever gotten from someone for being of service. We were able to connect across the cultural divides of race, gender, sexual orientation, and class because of our mutual experience of suffering. It’s an experience that’s stayed with me for two decades.

During that first year after college, I spent a lot of time and effort applying to publishing jobs in New York City. I did the two-hour train ride from one end of the Hudson Line to the other multiple times but never landed a job, and perhaps that was for the best. My life was imploding under pressure coming from many different directions: our joint income didn’t fit the federal definition of poverty, but it sure felt like poverty to me. Aside from friends we knew at Vassar — most of whom had left town after graduation — we had few queer friends. We were young and stupid and didn’t really know how to have a loving partnership with one another. I bounced from temp job to temp job, resenting the fact that April earned less money than me as a journalist while I subsidized our rent. Eventually, things went far enough south that I gave up and moved back to Connecticut. I’d expected to move in with my Mom, but she surprised me by giving me enough money to get my own apartment. I took over her paper routes in gratitude while I looked for a day job in Hartford.

Through a series of fortunate events, my job application at the Hartford Courant ended up in the hands of a former employee. She hired me as a writer and editor for this newfangled thing called a website. You can read a bit more about my writing chops on the About the Gardener page.

I hadn’t given up the hope of becoming a New Yorker, and there were lots of “content provider” jobs in the New Media industry at the time. I interviewed for a few, but my experience and salary requirements took me out of the running for most of the entry-level jobs, and I didn’t have the confidence (or, quite frankly, the chops) to apply for the more senior openings. Eventually, I set my sights on Boston. It seemed like a more manageable alternative. By happy coincidence, I met a woman in P-town who lived in Boston. While we were dating, a took a new job at a multimedia firm in Norwalk. It paid more, but boy did they get their money’s worth. My 40-hour work week ballooned to 60-70 hours, with an extra three hours of commuting on top of it. After about six months of that, it seemed like a no-brainer to move in with my girlfriend in Boston.

Unfortunately, content jobs — especially ones that don’t involve marketing copy writing — are a lot harder to come by in Boston than they are in NYC. My career took a right turn into web development. It’s much more lucrative than writing, but money isn’t everything. After 20 years in the field, I’m making plans to return to my first love. I expect it will involve a massive pay cut, but I’m fortunate enough to have a partner who’s willing to take that risk with me — something I never expected or wanted, but for which I’m incredibly grateful. More will be revealed.


I remember very little from the years between 1973 and 1980. There’s a simple reason for this, but one that omits a large part of the story. In the years between my birth and our unintentional immigration to the East Coast, I was busy learning how to eat, how to walk, how to use the bathroom, how to dress myself, and how to talk. I was learning about the world that surrounded me, and about my place in it. I was learning what kind of a person I was, and what kind of people had brought me into this world.

In the first decade of the 20th century — a decade variously referred to as the ’00s, the naughts, the oughts, the aughties, and the naughties — the big buzzword in psychological circles was resilience. Resilience was the word used over and over again in the days following the Boston Marathon Bombing of 2013. It’s a word that contains within it a kind of boundless optimism often lacking in the discussion of trauma, PTSD, and recovery from same.

“Resilience” is a word my own mother pulled out during a rather uncomfortable conversation in the drawing room of my partner’s parents’ house one Christmas Eve. I’d asked my mother to tell the story of the chickens who lived in a pen behind our house in Sunnyvale, California — the non-fictitious town of my birth and early childhood. I was fascinated with these chickens, as I was with all animals. I could pet the rabbits in their hutch on the other side of the back yard, and their fur was the softest thing I’d ever felt. I was sure that the feathers of our bad-tempered chicken Henrietta would also prove soft and pettable, and with the boundless optimism of toddlerhood I was sure I could win her over just as I did all the grown-up humans I’d encountered.

Henrietta had other ideas.

As soon as I opened the door of her pen, she began running after me, making evil chicken noises I’d never heard before, her wings akimbo and her sharp little beak ready to peck at my fat little toddler legs. We began a breathless circuit of the back yard. I screamed as loud as I could for my mom, keeping one or two chicken-steps ahead of Henrietta and her wicked beak.

This is where the actual events of the day have probably become blurred by countless retellings, and also by the dominant narrative of my childhood. As Mom tells the story, she stood at the kitchen window and laughed and laughed at the sight of a three-year-old girl being chased by a chicken. My own memory of the event from this point forward is a blurred mix of terror and bewilderment. Where was my mother? I could hear her laughing, but she wasn’t there to protect me. In the mind of a toddler, being pecked by a chicken looms as large and horrific as being mauled by a grizzly. It is perhaps the first time I felt alone and abandoned in the face of terror.

Beltane 2013: Union and Loneliness

Beltane fell on a Wednesday this year. It’s my favorite holiday, but even though it is a holiday of union, this year it leaves me feeling rather lonely. On Sunday I’d intended to rise early and make the trip across the river to my old church for the annual Beltane service — a tradition I resurrected when I was a part of the congregation and the Women’s Sacred Circle. It’s good to know that it still happens without me, but bittersweet. Even before M and I took the plunge and moved in together, I’d begun to pull back from the community at First Parish. It’s hard to say exactly why, although it’s definitely for more than one reason. Since the church is in Cambridge, there’s a regular turnover in membership. People finish their schooling and move away, or they pair up and move off to more affordable parts of the world. Once I’d looked on those people with disdain, but like so many of the people whom I’ve judged in my life, I came to find myself following that same natural progression.

I still remember the incredulity and joy I felt the first time I walked into the First Parish Cambridge Meeting House on a Sunday morning and heard an old, white man in a black robe saying things from a high pulpit that I actually agreed with. Things about the inherent worth and dignity of all people, the interconnected web of existence, the importance of social justice, the free and responsible search for truth and meaning. There was a banner above the door that said “Support Marriage Equality — We Do” — and this was long, long before the tipping point of public opinion on that issue.

Before I ever made it to the Meeting House on a Sunday morning, I’d attended the CUUPs rituals in the Barn Room. Two warm and wonderful Texans I’d met at a public ritual on the Boston Common brought me to my first Yule in the Barn Room. Then later, after I’d left Quick and moved to Cambridge, after I’d reveled in my freedom for a while and dated lots of people, after the rather disastrous end of a rebound relationship, I found myself sinking deeper into depression and isolation.

A woman I met on Craigslist–a recovering Southern Baptist–took me to the rounds of potlucks and parties in the winter. It sounds trite, but those potlucks and parties saved my life. At the time, I was looking up the lethal dosage of my medications, seriously considering death as an option. But I had a party to go to instead. One night, the movie I Heart Huckabees convinced me not to end my life. That same woman started rousting me out of the house on the third Friday of the month for Women’s Sacred Circle. I’d known about the group for years, but was intimidated by the fact that it was closed to new members except for once a year. And Fridays are tough in general, but Fridays in October, the month they open to new members, are brutal.

The community at First Parish was so cohesive and yet so varied. College professors, software developers, non-profit do-goodniks, menstruation rights activists, environmentalists, atheists, pagans, Buddhists, old-school UUs with Puritan pedigrees, a few token queers (I was one), believers and doubters and  folks who showed up for the community and the cookies — all these people came together to the Meeting House for a service where they sang hymns like “For the Beauty of the Earth,” and listened to sermons about Martin Luther King and the importance of comprehensive sex education. It was a place where anyone, even a woman, even a lay person, even me — sinner and witch and lapsed Catholic that I was — could organize a service. It was the first place I truly felt that I belonged since I moved to Boston from Hartford almost 5 years before.

After a year or so, though, the bloom came off the rose. Some members of the thirtysomethings group decided to invite all the “cool” people to a Christmas party the same weekend as one my girlfriend was throwing. I noticed the stranglehold of the current leadership of CUUPs; they said they wanted new members, but they didn’t actually let the new members participate in any planning decisions. Friends paired off, got married, moved off and had babies, never to be heard from again.

Even the Women’s Sacred Circle, with all its magic and mystery, began to feel like a chore instead of a place of union and spiritual growth. During my stint on the leadership council, it was not unusual for meetings to run for five hours. And I realized, as perhaps all of us realize as we push on into our late 30s, that my time and energy were sadly finite. I wondered where else I might be spending it.

I began to direct it elsewhere. Slowly but surely, M and I began the careful steps to bring our households together. Settling in took longer than I thought. I mourned my old life in Camberville: the friends an easy T ride away, the streets, the back way from Arlington to Harvard Square, the Trader Joe’s at the Fresh Pond rotary, the summer meadow just beyond it, next to the Fresh Pond Reservoir, the water itself enclosed in a chain link fence. Some of them I still keep in touch with, but the meetings require planning, long drives. Weeks and months might pass before we see one another. Sometimes one or the other of us cancels, and so more weeks and months pass. We keep in touch on the Intartubes, but there’s no substitute for physical presence.

Nine months after the move, I joined a poetry workshop one of my circle sisters has been attending for years. The critiques were tough, but I appreciated the focus on concrete results — publication — and the practical tips given and shared to help us all achieve the same goal. In December I had my first success: my work was accepted at Lyrical Somerville and will be published next week. In April I read at Porter Square Books, and I am scheduled to read again at the Newton Public Library in October. After the reading, the workshop leader said “you surprised us!” She’d never seem or heard my finished poems, only the unfinished ones I brought to workshop. Buoyed by the praise I’d coveted for so long, I submitted to two journals.

Finances demanded that I take a hiatus from the workshop for a few months. With the world’s sap rising, I find myself composing more and see how my own eye has changed, my writing more careful — sometimes for the better, and sometimes not.

As I write this, the sun shines in the back courtyard on the forsythia bushes, all yellow in the bright spring light. Birds come and go from the feeder I installed last year; this spring I know most of their names. The leaves and spines of my garden wave in the breeze. The cats wander in and out of the treeline. For the first time ever in my life, I have a room in my home that is three walls open air, the solid brick behind me. The oaks have just begun unfurling their leaves, but for now the sun shines unimpeded on the bed I planted one week ago, on the pots I brought with me from Camberville. A nature-worshipper, I have access to more actual nature than I’ve ever had before. It’s right outside my door, front and back, and yet I’m a five-minute drive from Jamaica Plain, Boston’s answer to Cambridge.

It’s not the same, though. I am too far from my old circles. It’s a distance through both space and time. We’ve scattered and settled elsewhere. The bonds grow weaker. And I’m not sure I have the energy, the strength, or even the inclination, to build another circle from scratch around me here.

I don’t regret the union I entered into when I moved to this new green and alien place. I bathe in it every day, and the water is sweet. But I do regret the interconnected web of existence I left behind in Cambridge.


Lammie, alive and well in 2013

I don’t remember exactly how Lammie appeared anymore, but he probably came in one of the boxes Grandma Donovan would send every few months. Usually, these packages were stuffed with gorgeous clothes two sizes too small for me. But Lammie wasn’t too small at all. He was huge — almost too big for an eight-year-old girl to put her arms around. He must have come in the spring, along with the swiss-dotted Easter dress that I couldn’t zip up and the Easter card with the flowery script and the lilies embossed with gold. He was a rather minimalistic interpretation of a sheep: a rectangular puff of cream-colored fleece with four black stubs for legs and a black snout poking out between two fleecy white ears.

The best thing about him was his bell, a real honest-to-goodness sheep’s bell tied around his neck with a thick ribbon. For months and months that was Lammie’s voice, a ding-ding-ding every time I sent him into the slightest motion. I carried him around in my arms, comforted by the full, round way he filled my embrace. On bright Saturday afternoons the entire family would retreat to beds and couches and immerse ourselves in books. I leaned on him like a pillow, until his great round flanks flattened from the weight of my head.

At night he kept watch at the foot of my bed, a-ding-ding-ding-ing with my every toss and turn. The sound of Lammie’s bell drove my mother’s boyfriend to distraction, kept him awake far into the night. He asked if there were a way I could muffle it, but the mere thought seemed like sacrilege to me. Lammie’s bell was Lammie’s voice, and hearing his gentle ding-ding-dings as I turned under the covers made me feel safe and protected. One day I came home to find Lammie’s bell missing from his neck. I discovered it under a pillow, reattached it with its length of now-ragged ribbon. Eventually his bell disappeared entirely. But I still have him, 30 years later, still pull him into an embrace beneath the covers, and still hear in my mind the distant ding-ding-ding of his voice lulling me to sleep.

The Pill Versus the Springhill Mine Disaster

I was in high school and half in love with a boy from Texas. I was only half in love with him because I thought that’s what you were supposed to do with boys. Well, he was awfully cute. And I was 13 years old and full of hormones. Like me, he was a child of hippies. Unlike me, he was unabashed about it.

He pulled a slim volume from his locker — the locker so close to that other boy who got me into so much trouble. It had a yellow spine and a black-and-white photograph of a girl perched on top of a pile of rubble. It was called The Pill Versus the Springhill Mining Disaster, by Richard Brautigan.

“He’s a minor LSD poet from San Francisco,” he told me. “I thought you might like it.”

Even then, I was known for liking and writing poetry.

It was the first book of poetry anyone ever gave to me like that: spontaneous, easy. With the perspective of time, I can see that maybe he was as half in love with me as I was with him. We ended up embarking on a relationship far more intimate and complex than anything you’d see on Glee. It’s hard to say who broke my harder: him or the other boy I loved at the same time, in a more carnal, conventional manner.

But that’s a story for another time. Right now what I want to think about is that moment when he handed me this slim volume, the same one that sits on my desk beside me now, a little time traveler through the decades.

And the wonder of discovery when I first saw a poem like this in print:

The Pill Versus the Springhill Mine Disaster

When you take your pill
it’s like a mine disaster.
I think of all the people
    lost inside of you.

RIP George Carlin

The blogosphere’s full of tributes to George Carlin, who died yesterday at age 71. When I see a ton of posts on the same subject, I tend to freeze up, thinking it’s all been said before. This is probably why I was never particularly motivated to stay in the world of new media content provision. I do have something unique to say about George Carlin, though.

When I was a teenager, one of my first paying jobs was as an usher for the Palace Theater in Stamford, CT. It was a great job: I saw the symphony, the ballet, the opera, some rather good plays, great jazz musicians, and George Carlin. Since I was a sullen teenager, I appreciate most of the performers more in retrospect than I did at the time. Except for George Carlin. He was one of the few acts to do two shows in one night, and each time his delivery was spot-on.

This was in the mid-80s, and while I wasn’t aware of it, it must have been after the famous Seven Words You Can’t Say on Television routine. He started the show talking about the words he wouldn’t be saying that evening — words like “shaaaaare.” He also did the “home is just a place to put your stuff” routine.

I suppose what made Carlin’s humor unique was that it was so very focused on words and the way we use words. His New York-style snark also amused me. Ultimately, I don’t necessarily agree with his conclusions, but his eloquence and humor can be very convincing in the moment.

Words don’t offend people, context offends people

And via Nex0s, some material about saving the planet. It’s true; it’s not the planet we’re saving, it’s ourselves:

Save the planet